The kinds of jobs we take on in studios and on live stages
A look at the settings, equipment and documents involved in our work, from camera positions to control room desks and written crew checklists.
Rigs, desks and paperwork we work with
Our work moves between the studio floor, the control room and the page. The scenes below show the materials and steps involved, from rigging a camera to writing the checklist a crew relies on.
Camera position checks on the studio floor
Before a shoot we check camera heights, lens choices and cable runs against the set. Small adjustments here save time later in shading and matching between cameras.
Lighting rig plotted for a studio set
We plan fixture positions, colour temperature and power load together so the look works for camera and stays within what the studio can supply.
Control room workflow under review
We watch how the director, vision mixer and operators pass information, then note where screens, talkback or layout slow the team down.
Audio routing and lip-sync testing
We trace each audio path from microphone to output and test sync against picture, so late or drifting sound is found before it reaches air.
Live stage prepared for broadcast
For live events we balance stage lighting for the audience and for cameras, agreeing positions early so rehearsal time is spent on the show itself.
Crew checklists and operating guides
We turn procedures into short checklists and training pages, tested with the people who will use them so the wording matches how the room works.
Talk to us about your production
Send a short description through the contact page and we will reply to discuss your studio, your crew and what you would like to improve.
The teams our services are built for
Our services suit people who run studios, live events and small media operations. They share a need for clear technical advice that fits their budget and crew size. The groups below describe the audiences we write and advise for.